Sylvia Plath: The little known works.
May. 9th, 2004 04:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
For
weasels_of_fire
I am a little.
Teapot.
Short, and stout.
Here is, my handle.
Here is, my spout.
When I get all steamed up,
Then.
I shout.
Tip me over.
Pour me out.
Discuss, with particular attention to the suicidal and sexual subtext of the final two lines.
sol.
.
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I am a little.
Teapot.
Short, and stout.
Here is, my handle.
Here is, my spout.
When I get all steamed up,
Then.
I shout.
Tip me over.
Pour me out.
Discuss, with particular attention to the suicidal and sexual subtext of the final two lines.
sol.
.
Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-08 11:46 pm (UTC)*clears throat in pseudo-erudite manner and perches spectacles pensively on bridge of nose*
Ahem. Plath's allusion to the 'steaming up' of the metaphorical, anthropomorphic kettle clearly alludes to -
a) The future oven in which she will place her pseudo-literary head, which indeed 'steams up' a great deal.
b) Her previous allusions to the crematoria of Nazi death camps, which is somewhat of a recurring theme in previous poems such as "Daddy" and "Lazy Lazzarus", which also obviously sinisterly implicates her eventual oven-bound demise.
c) Her sordid passive-aggressive sexual relationship with Ted bloody Hughes, who apparently had a penchant for the time-honoured art of sodomy, which also connotates 'steaming up' imagery of a slightly less highbrow nature.
I will completely deliberately ignore the overtly psychosexual motifs in Plath's 'handle' and 'spout', as I am not inclined to sounding like a Melbourne Uni fembo lesbo who waxes lyrical over Freud's coke habit. I will, however, suggest that perhaps Plath's 'handle' is a metaphor for the perpetually unstable, frequently suicidal state of her unconscious.
The climax, if you will, of Plath's poem, resplendent with the maudlin, morbid overtones of suicidal cock-hungry repression, ultimately epitomizes the abject symbolism of her oven-popping Deutschy demise. 'Tip me over' is an excruciatingly obvious reference to Plath's enduring life-long desire to be forcefully bent over by the rapacious guttural kraut which pervades most of her SS-fetishized poetry. It is juxtaposed eerily, however, with the forlorn suicidal grappling of 'pour me out', which could also be a sly, filthy and something Henry Miller-esque allusion to female ejaculation. It is clear, then, pathologically bored reader, that Plath cunningly and rather irritatingly associates her dark 'teapot' of death with the thrusting joy of being bent over like the Fatherland-loving ho that she was.
Christ, Jai, kill me.
Re: Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-08 11:56 pm (UTC)Death is too
Good for You,
Old scrubber.
So, pork next sunday, then?
sol.
.
Re: Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-09 12:02 am (UTC)Re: Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-15 11:30 pm (UTC)sol.
.
Re: Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-15 11:49 pm (UTC)Re: Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-16 12:20 am (UTC)We'll cope. More pork for the rest of us!
sol.
.
Re: Ach du, teapot, ach du (or: Teapot, teapot, you bastard, I'm through).
Date: 2004-05-16 08:21 am (UTC)And as an aside, I advise you slap spark_au's arse with a wet towel after he eats your pork as a territorial hierarchical "Just so you know who cooks the pork in this house, bitch!" gesture.